Tag Archives: PAINTING

LOVISA RINGBORG – ELENA ASCARI

Please join us at HSF for the opening of a double solo exhibition of artists-in-residence, Lovisa Ringborg and Elena Ascari. Co-curated by HSF Chief Curator, Raffaele Bedarida with newly appointed Junior Curator, Teresa Meucci, the show presents works achieved by the two artists during their stay in New York (May-July-2009).

– LOVISA RINGBORG
if your secret was an animal
what animal would it be

– ELENA ASCARI
Cells

Curated by: Raffaele Bedarida and Teresa Meucci

Opening reception:
July 16th 6.30-9.00 pm

By appointment:
July 17th-31st, 2009

HSF by Montrasioarte
128W 121st street
Subway 2, 3 to 116th street

insomnia-web

LOVISA RINGBORG
if your secret was an animal
what animal would it be

Swedish artist Lovisa Ringborg exhibits at HSF two interrelated works. A photograph, Insomnia is the visual and conceptual counterpart of an environmental piece, If Your Secret Was an Animal What Animal Would It Be, which consists of four photographs and a mirror text. More than doing photographs, Ringborg literally works with photography: her initial photographic shots, used as “raw material” (the artist’s words), are digitally altered and combined into carefully composed and theatrically staged images. As with Caravaggio (a rough mattress hardly visible under classical draperies), the fictionality of the represented scene is revealed in her work, and the masquerade in the artist’s studio emerges interfering with the subject matter. Subtle visual inconsistencies insinuate unreliability in the faux staged-photographs and add surreal echoes to their content. But there is no attempt on shocking effects: no juxtaposition of evidently incongruous images and meanings. If the sleep of Goya’s reason produced monsters, the inoffensive stuffed animals that Ringborg photographed at the Museum of Natural History, are turned into the elementary vocabulary of a potentially monstrous language. A language from which narrative is removed and humans, beasts, and objects are kept frozen on the threshold between familiar anxieties and uncanny premonitions. RB

cellule web

ELENA ASCARI
Cells

The series of paintings presented by Italian artist Elena Ascari starts a new phase in her visual research. Ascari’s previous canvases portrayed the reflecting world of the malls’ escalators through a photorealist technique. The shiny world of glasses and mirrors was turned into a no-less-kitschy surface of gummy paint. The effect was one of complex visual fragmentation: repetitions, reflections, and distortions of the same figures resulted in an optical multiplication that could be read as an open sequence, a deconstructed story. With Cells, Ascari does a step further. Focused on the refracting skin of design objects, these new reflections destroy any perceptive continuity. An ordinary experience given by the popularization and domestication of Deconstructivist architecture is translated into a trope: close-up views become miniaturized oneiric visions. In the resulting kaleidoscope, humans as well as any other recognizable thing are fugacious and isolated apparitions. The story no longer exists, connections are lost. The aesthetic of very small reflective surfaces become, with Cells, a metaphor for the connective isolation of the i-phone era. RB


SCAFFOLDINGS

Please join us at HarlemStudioFellowship by Montrasioarte for the upcoming exhibition,


S c a f f o l d i n g s

featuring works by:
Mariagrazia Pontorno & Tamas Jovanovics

Curated by Raffaele Bedarida

Opening reception: Thursday, April 23, 2009 – 6.00 PM – 10.30 PMBy appointment: April 24 – May 4

hsf_mostra_invit_net

Italian artist Mariagrazia Pontorno exhibits two works linked to each other and both entitled Roots. Her series of digital images adopt the iconography of traditional herbaria. Eight species of plants and flowers that grow and blossom in Central Park during the months of Pontorno’s residency in Manhattan, are painstakingly reconstructed in exceptionally precise 3D pictures (with the technical support of Alessandro Lupo and Francesco Palenga). Only at a closer analysis the viewer feels uncomfortable: the tension between naturalness and artificiality emerges slowly and uncannily from those plants. Printed and traditionally framed, the synthetic herbarium further resounds in the early-1900s environment of HSF’s townhouse. Pontorno’s second work is a storyboard, the project for a visionary video animation: the plants of the herbarium are now in Central Park’s Great Lawn. Touched by the wind, they emerge form the ground and levitate. In the background, the skyscrapers takeoff as space shuttles, showing their eradicated roots.

London-based, Hungarian artist Tamas Jovanovics exhibits Horizontal Straight Lines: a series of paintings exclusively consisting of horizontal straight lines (thousands of them) on square-shaped canvases. Combined in triptychs, the canvases are hung at 45 degrees, and the colored-pencil lines dash through the lozenges. The optical result on the canvas’ surface is that of a pulsing vibration, a centrifugal tendency (Rosalind Krauss), described by Jovanovics in terms of evasiveness. Beyond the canvases’ limits, the effect is that of an infinite continuity: the lozenges are “just” the visible terminals of the lines’ virtual limitlessness. An homage to Piet Mondrian’s New York work, Horizontal Straight Lines engage a dialogue with Manhattan: their infinite horizontality is playfully dialectical with the most vertical of all the cities.

HSF – residency program
for international artists
W128 121 St.
New York, NY 10027

www.harlemstudiony.org