Monthly Archives: December 2007

Cohabitations: Interviews on Vernissage TV

VTV correspondent Theodore Bouloukos talks with the artists Gianni Moretti and Federico Donelli. Video: Darren Trenchard

VTV correspondent Theodore Bouloukos talks with artist Leone Contini Bonacossi and curator Raffaele Bedarida. The video also shows the parts of the work in progress “On the Block” by Susy Blu. Video: Darren Trenchard


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Leone Contini – “Wheat Seeds Germinating Inside two Jazz-Trumpet Cases Lined with Blue and Red Velvet, Found in the Garbage a Few Days Ago Right Here in Harlem”

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In Few hours, during the opening, the photosynthesis transformed the florescent yellow in green:

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Leone Contini – “American Baroque” sprouting mixed vegetables in a former ice-house – Sound composed by Lorenzo Brusci

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Videos related with Leone Contini’s research in Harlem Studio Fellowship

http://it.youtube.com/watch?v=boggGESUO2Q
http://it.youtube.com/watch?v=juikXVMD71U
http://it.youtube.com/watch?v=39SZi520cjg
http://it.youtube.com/watch?v=p1Iet9yo2cQ
http://it.youtube.com/watch?v=e5LUB7JLLK8

La performance basata sulla semina in piattini o altri oggetti e’ intesa come gesto “in parte rituale”: non e’ identificato con un sistema strutturato di credenze ma allo stesso tempo e’ rivolto alla rigenerazione di un significato minimo, del quotidiano, non certo dell’universo. Un po’ come fare la lavatrice, lavare i panni sporchi, una piccola catarsi bisettimanale, minima, fondamentale.

In questi piccoli rituali l’elemento naturale e’ “praticato” al di fuori di una identificazione con il mito ecologista o naturista e tuttavia in prossimita’ di quel groviglio che in tutte le civilta’ ha sempre tenuto vicini cibo, esperienza e pratica del sacro, visone del mondo. Nella mia ricerca il “fatto biologico” e’ prima di tutto alimento (fagiolo, grano, lenticchia, patata…) e quindi mi permette di gettare uno sguardo all’interno del mito ecologista e salutista che, se pure ammantato di legittimazioni scientifiche, rivela una natura molto spesso magica o pseudo-religiosa, e spesso ripropone forme rituali e grumi ideologici molto arcaici ma ancora attivi nel fondo della nostra civilta’.


Susy Blu – On the block –

On the block, Harlem 121streetON THE BLOCK

121st street between Lenox Avenue and Powell Blvd

CONCEPT
As a project to develop during my residency at Harlem Studio Fellowship (HSF) in New York, I am trying to create a photographic portrayal of the block where I am living: 121st street between Lenox Avenue and Adam Clayton Powell Jr. Boulevard.

Harlem is deeply and quickly changing: many old houses are being restored; new people are moving to this neighbourhood, some residents have to leave because the rent prices are increasing; new shops, bars, buildings, hotels and restaurants are opening, while some old, no more competitive ones are closing. Students from Columbia University, artists, young couples and freelances live and work nowadays in Harlem, sharing spaces and habits with the historical residents of this area. Last summer a lot of white people moved to Harlem and the gentrification is getting faster and faster.

The block where HSF is located reflects this interesting phase of transition, that’s why I decided to concentrate on this small but rich reality. Being an agent myself of this process I thought I could only work where I am part of it.

PROJECT
After creating a collage/map of the exteriors, which is a tool to situate the people I meet and the realities I come across to, I am now at the heart of the project: photographing the interiors of all the neighbors’ houses and shops on this block.
Going inside the buildings means to me exploring the private realities of their inhabitants, seeing beyond the external façade that won’t change so much between before and after the gentrification. In fact, the renovations of the buildings are more respectful outside than inside.

With no voyeurism and respecting people’s privacy and will, I want to document and bring to light the interesting contest existing at this time in our street: the different personalities, the contrasts, the links between various realities that coexist. The old brownstone houses look to me like some beautiful and quite homogeneous facades hiding the richness and characters of the different people living inside.

In order to realize such a purpose I am asking the neighbors of the block to invite me for a brief visit to their houses. I include in the project the school, the church and the few commercial activities. Once invited, I photograph some spots of their homes. Their participation to “on the block” is fundamental to me and their contribution is the whole project‘s heart.

Next March, I’ll be able to see on my collage/map how many doors remained closed and to locate the people I met. All the photographs, with no name but just the number of the street to indicate them, will create a patchwork of interiors details. Moreover, I am taking notes of all episodes, reactions and comments occurring in the process of taking pictures and asking to be invited. These writing will become a textual counterpart of the visual work.

USE OF THE PHOTOGRAPHS
A selection of the photographs was exhibited on the 20th September at the HSF during a private presentation for all the neighbors and friends. Next Spring, some photographs will be part of a bigger exhibition that will take place in Italy, including works by all the fellow residents invited at HSF this year.
A final edition of “on the block” with photographs and texts is the main intent.


Cohabitations: Studies o Beasts, Plants and Objects. Opening at Harlem Studio, Decembre 13

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Leone Contini – Pale sprouting into a red trumpet case found in the trash few days ago, here in Harlem

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